"Nine Inch Nails concert - visual feast", said Ryan LawsonNine Inch Nails (abbreviated as
NIN) is an American
industrial rock music group, founded in 1988 by
Trent Reznor in
Cleveland,
Ohio. As its main
producer, singer, songwriter, and instrumentalist, Reznor is the only official member of Nine Inch Nails and remains solely responsible for its direction.
[1] NIN's music straddles a wide range of genres, while retaining a characteristic sound using
electronic instruments and processing.
"I'm not really a purist," admits Reznor. "If I'm in the studio working on an album, I try to only please myself. But when it's a tour, it feels a bit more like I have a responsibility to some degree to entertain people."
For the band's current Lights in the Sky tour, Reznor has not only raised the bar for what's possible in an arena tour, but has also produced what could arguably be one of the most technologically ambitious rock productions ever conceived.
Reznor and other band members use Lemurs during the "electronic set." The touchscreen devices can be used to control a range of audio and visual aspects of the show on the fly.
Photo: Jon Snyder/Wired.com
World Tour video, Seattle 2008
Visual elements employed during Nine Inch Nails concerts have often included numerous lighting, stage and projection effects employed to accompany and augment presentation.[64] Prior to the Fragility tour in 2000, Reznor reflected that "I’ve adopted a philosophy of the way to present Nine Inch Nails live that incorporates a theatrical element. I want it to be drama. I want my rock stars to be larger than life, you know? The Kurt Cobains of the world, I’m sick of that (expletive). I don’t want a gas station attendant being my hero. I grew up with Gene Simmons. I grew up with Ziggy Stardust."[27]
Many songs are typically accompanied with specially designed visual aids, including synchronized lighting effects and projected stock-footage montages. Early performances of the song "Hurt", for example, were accompanied by a projected montage of clouds, charred bodies, mushroom clouds, maggots, and war refugees,[65] a performance of which is featured in the song's music video. Recent performances of the song, however, have featured less lighting effects.[64]
Alessandro Cortini, during a performance in 2007
Since 1999, the visual presentation of Nine Inch Nails live shows have been directed by Rob Sheridan, while Bill Viola designed a large triptych display for the Fragility tour.[34] The images displayed on the triptych focused on storm and water imagery. And All That Could Have Been features an audio commentary track by Viola describing the display and his inspirations for it.[66]
For the Live: With Teeth tour, Roy Bennett and Martin Phillips were responsible for the lighting design and stage design respectively.[67] Bennett explained in a 2005 interview that much of the lighting was done using a series of LED lights arranged in "stalactites or stalagmites [formations] to tie in to the album artwork". DLP projectors were also used to project images onto a gauze screen in front of the stage.
A Nine Inch Nails performance during the Live: With Teeth tour featuring the "teeth" lighting fixtures
Using the gauze projection-screen, Phillips, Reznor, and Sheridan devised a "gag" where they projected "a sheet of glass shattering onto a downstage kabuki scrim that would drop as the glass shatters fell. ... We settled on Trent swinging his guitar at the gauze [and] shattering it, but with all the pieces falling up as the [screen] flew out".[67] This technique can be seen in the tour documentary Beside You in Time. In contrast to the lighting of previous tours, Performance 2007 featured minimal lighting that was designed to shadow Reznor and the band.[68]
The visual elements of the live shows has been subject to much commentary. The Boston Globe described the Fragility tour as "one of the most outstanding light shows in memory".[69] A reviewer from the Contra Costa Times described a Live: With Teeth performance as being "heightened by just the right amount of dark purple or blue spotlights, with up-lighting from the stage front, giving the band a horror-flick feel".[70]
Making of it from Moment Factory
7. Sound: metal turning in to sacred music.
